Author: kmelvin

  • Shattered Soiree 2015 – THANK YOU!

    Shattered Soiree 2015 – THANK YOU!

    THANK YOU FOR YOUR SUPPORT!

    Shattered Globe Theatre’s Shattered Soiree 2015

    Friday, May 29th, 2015

    6:30 to 10 PM

    Join us as we raise the roof with live entertainment, dancing,

    tantalizing food & drink, and unique auction items!

    And help us raise crucial funds to support SGT’s upcoming 25th Season!

    Ravenswood Event Center

    4011 N. Ravenswood Avenue, Chicago

    Free street parking available

    Follow this link to RSVP: http://bit.ly/SGTsoiree2015

    Our annual fund-raiser supports our mission and programming

    For more information, contact Sandy Shinner at 

    sshinner@shatteredglobe.org or call 773-770-0333.

  • Addison Heimann

     

  • Our 25th Season!

    Our 25th Season!

    Shattered Globe Theatre Announces 25th Season:

    MARVIN’S ROOM

    By Scott McPherson

    Directed by Producing Artistic Director Sandy Shinner

     

    ANIMALS OUT OF PAPER

    By Rajiv Joseph

    Directed by Devon de Mayo

     

    John Ball’s

    IN THE HEAT OF THE NIGHT

    Adapted by Matt Pelfrey

    Directed by Louis Contey

    CHICAGO (August 6, 2015) – Shattered Globe Theatre is pleased to announce its 25th season, kicking off this fall with a 25th anniversary production of MARVIN’S ROOM, Chicago playwright Scott McPherson’s award-winning dark and mordantly funny comedy about putting family first, directed by Producing Artistic Director Sandy Shinner. This winter, SGT presents Pulitzer Prize-winner Rajiv Joseph’s uncommon love story ANIMALS OUT OF PAPER, a vibrant and nuanced peek into the creative process that shapes three lives, directed by Devon de Mayo. The season concludes next spring with John Ball’s gripping, racially charged mystery IN THE HEAT OF THE NIGHT, adapted by Matt Pelfrey and directed by Louis Contey. The full 2015-16 Season will be presented at Shattered Globe’s resident home, Theater Wit, 1229 W. Belmont Ave. in Chicago. Tickets will go on sale at a future date at www.shatteredglobe.org, by calling (773) 975-8150 or in person at the Theater Wit Box Office.

    Shattered Globe is also pleased to announce partial casting for MARVIN’S ROOM, which will feature Ensemble Members Rebecca Jordan and Linda Reiter and SGT Protégé Program graduate Nate Santana with Deanna Dunagan, Kyle Klein II, Deanna Reed-Foster and Don Tieri.  Additional casting will be announced.

    “I am particularly excited to open the Shattered Globe’s 25th anniversary season with Scott McPherson’s play Marvin’s Room, also celebrating its 25th anniversary,” comments Producing Artistic Director Sandy Shinner. “Marvin’s Room’s generous spirit and its reminder of the rewards of caring for others seems like healing balm when the theater community is still reeling from recent profound losses. As the original dramaturg on the play, and a friend of Scott’s, I had always hoped to spend a little more time in his witty, loving world. But there is also another side to Marvin’s Room; and all three plays in the season reveal people coming together while falling apart. In Marvin’s Room and Animals Out of Paper, the characters struggle with the difficulties of intimacy, friendship and loneliness – one kind of ‘segregation.’ The racially motivated police brutality of In the Heat of the Night explores these same themes at the level of race. I am also thrilled that Lou Contey, a former SGT artistic director, is part of our anniversary season, and happy to welcome Devon de Mayo who is directing her first SGT show,” adds Shinner.

     

    Shattered Globe Theatre’s 25th Season includes:

    October 1 – November 14, 2015

    MARVIN’S ROOM

    By Scott McPherson

    Directed by Producing Artistic Director Sandy Shinner

     

    Winner of the Outer Critics Circle Award and the Drama Desk Award for New Play, MARVIN’S ROOM has been rapturously praised by audiences and critics alike since its world premiere at Chicago’s Goodman Theater in 1990. Bessie devotes her life to caring for her elderly father and aunt and so her own diagnosis of leukemia plummets their world into a tailspin. In need of a bone marrow transplant, Bessie reaches out to her estranged sister Lee and her two nephews. If they are to be of any help, then old wounds must be opened.  MARVIN’S ROOM is about finding family and the timeless concerns of living, dying and caring for others told with McPherson’s signature humor.

     

    During the play’s Chicago debut, the Chicago Tribune’s Richard Christiansen wrote, “From the everyday environment of a suburban home to the fantasy land of Disney World, McPherson found the exact scene, the perfect dialogue and the precise image to express his American tragicomedy.” The Chicago Sun-Times’ Hedy Weiss said “it is McPherson’s great and original gift to make his characters and their fates seem almost shamefully comical and absolutely honest at every moment” and The New York Times called the play “one of the funniest plays of the year as well as one of the wisest and most moving.” The Chicago Tribune’s Chris Jones wrote during a later production in 2009, “time has withered neither its power nor its wisdom.”

     

    January 14 – February 27, 2016

    ANIMALS OUT OF PAPER

    By Rajiv Joseph

    Directed by Devon de Mayo

     

    In Rajiv Joseph’s ANIMALS OUT OF PAPER, Andy, a calculus teacher and avid fan, pressures a reclusive Ilana, a world famous origami artist, into becoming an unwitting mentor to a troubled teenage prodigy, Suresh. These three intriguingly flawed characters begin to reshape and mold each other’s lives in much the same way they fold and crease their origami art. During a production at New York’s Second Stage Theater, The New York Times wrote, “Mr. Joseph’s observant, pitch-perfect script seems modest at first but is really quite ambitious, dealing ruthlessly…with the fragility of happiness, the tragedy of impulsiveness and the tenuousness of hope.”

     

    April 21 – June 4, 2016

    IN THE HEAT OF THE NIGHT

    Based on the novel by John Ball

    Adapted by Matt Pelfrey, directed by Louis Contey

     

    IN THE HEAT OF THE NIGHT recounts the classic, highly charged story of an African American police officer asked to investigate a murder in a racially hostile southern town. It’s a torrid night in 1965 Argo, Alabama when a dead white man is found.  The local police, desperately searching for a motive and a suspect, arrest a black man passing through town.  The police soon discover that their suspect is an expert homicide detective from LA and they must confront their personal prejudices as they are forced to work side by side to solve the crime.   The award winning film version starring Sidney Poitier remains emblematic of our country in the 1960s. Fifty years later, Pelfry’s new adaptation of the novel leaves room for the evolution of these attitudes. But watching the nightly news – how far have we come?

     

    About the Directors:


    Sandy Shinner
    joined Shattered Globe Theatre in October 2013 as the theater’s first Producing Artistic Director. She directed Sally Nemeth’s Mill Fire at SGT in 2014. The former Associate Artistic Director of Victory Gardens Theater, she created the nationally known IGNITION! Festival, served as co-director of the Access Project, and accepted the 2001 Regional Theater Tony Award on behalf of VG with former Artistic Director Dennis Zacek and former Managing Director Marcelle McVay. Her other recent directing credits include: the world premiere of Rasheeda Speaking by Joel Drake Johnson (Rivendell Theater Ensemble) and Creditors by August Strindberg (Remy Bumppo Theater Company). She has directed over 80 plays at theaters including Victory Gardens, Remy Bumppo, American Blues, the University of Virginia, Actors Theater of Louisville’s Humana Festival, Steppenwolf’s First Look Repertory of New Work, New York’s 78th Street Theater Lab and the Sacramento Theater Company, among others. Her production of Trying by Joanna McClelland Glass transferred to New York and her direction was nominated for the Joe A. Callaway Award. Shinner received the 2013 Kathryn V. Lamkey Spirit Award from the Equal Employment Opportunity Committee of Actors’ Equity Association for her commitment to diversity and non-traditional casting. She has been recognized as one of “50 Top Players” by Newcity and a “Chicagoan of the Year” by the Chicago Tribune. She is an adjunct professor at DePaul’s Theatre School, an At Large Ambassador for the National New Play Network, and an Artistic Affiliate at American Blues Theater.

     

    Devon de Mayomost recently served as the Resident Director under Stephen Daldry on the Broadway production of The Audience.  Directing credits include Jet Black Chevrolet (side project); Lost in Yonkers (Norhtlight Theatre); Compulsion and Everything is Illuminated (Next Theatre); An Actor Prepares (Logan Center); Roadkill Confidential, The Further Adventures of Hedda Gabler and Clouds (Dog & Pony); Infiltrating Bounce (Luminaria, San Antonio); and 52 (Canal Café, London). Directing & Devising credits include Guerra: A Clown Play (performances in Chicago, New York, Albuquerque, Madrid, Bogota, and Mexico City); The Whole World is Watching and As Told by the Vivian Girls (Dog & Pony) and The Twins Would Like to Say (Dog & Pony, Steppenwolf Garage Rep). She is the co-artistic director of Dog & Pony Theatre Co and received her MFA in Directing from Middlesex University in London.

     

    Louis Contey returns to Shattered Globe where he has directed The Whaleship Essex, A View from the Bridge, The Manchurian Candidate, A Streetcar Named Desire, All My Sons, Who’s Afraid of Virginia Woolf?, Judgement at Nuremberg and Requiem for a Heavyweight, among others.  He has directed over 70 plays, among them The Master & Margarita, Marriage Play, The Diviners, A Midsummer Night’s Dream, Macbeth and Hamlet. He is an Associate Artist at TimeLine Theatre where he is currently directing The Price, and has directed The Apple Family Plays as well as Frost/Nixon, Awake and Sing!, The General from America, Lillian, Copenhagen, It’s All True, and Pravda. He has also worked at The Goodman Theatre, Steppenwolf Theatre, Strawdog Theatre, Theatre at the Center, Buffalo Theatre Ensemble, Provision Theatre, Eclipse Theatre and American Theater Company. He is a twelve-time Jeff Award nominee and has received seven Jeff Citations, as well as an After Dark Award. He teaches acting and directing part-time at The Theatre School at DePaul University.

     

    Shattered Globe Theatre (Sandy Shinner, Producing Artistic Director; Doug McDade, Managing Director) was born in a storefront space on Halsted Street in l991. Since then, SGT has produced more than 60 plays, including nine American and world premieres, and garnered an impressive 42 Jeff Awards and 97 Jeff Award nominations, as well as the acclaim of critics and audiences alike. Shattered Globe is an ensemble driven theater whose mission is to create an intimate, visceral theater experience that challenges the perspective of audience and artist alike through passionate storytelling. Shattered Globe is inspired by the diversity of our city and committed to making the theater available to all audiences.   Through initiatives such as the Protégé Program, Shattered Globe creates a space which allows emerging artists to grow and share in the ensemble experience.

     

    Shattered Globe Theatre is partially supported and funded by generous grants from The Gaylord & Dorothy Donnelley Foundation, The MacArthur Fund for Arts & Culture at The Richard H. Driehaus Foundation, The Illinois Arts Council, The Field Foundation of Illinois, The James P. and Brenda S. Grusecki Family Foundation, The Blum-Kovler Family Foundation, The Robert J. & Loretta W. Cooney Family Foundation, the Shulman-Rochambeau Charitable Foundation, and Arts Work Fund.

  • The Whaleship Essex – NOW CLOSED

    The Whaleship Essex – NOW CLOSED

    The first show of our 2014-2015 Season is now open. See what the critics had to say below.

    For more info and to purchase tickets click here.

    Chicago Tribune Hottest Ticket – Friday, September 12th:

    “A genuine magnum opus, a full-throated adventure epic replete with enough passion and production values for you to feel a bit of the spray of the open seas.”

    -Chris Jones, Chicago Tribune

    “Highly Recommended…

    A thrilling, vividly physical Midwest premiere by Shattered Globe”

    – Hedy Weiss, Chicago Sun-Times

    “… a thrilling play of epic proportions. Staged by prolific, talented Chicago director Lou Contey, utilizing energetic pacing, stylized movement, actor-generated rhythms, sea shanties and hymns sung by a vibrant cast of 15, Forbrich’s play becomes much more than simply an exciting adventure at sea. The story offers obvious parallels between early 19th century America’s unquenchable thirst for oil and today’s unending need for energy. Ecological and ethical questions are raised in this haunting, disturbing, sometimes humorous tale of survival and heroism. The production is supported by the magnificent talent and artistry of its primarily-female creative team.”

    -Colin Douglas, Chicago Theater Review

    “I definitely believe THE WHALESHIP ESSEX is see-worthy!”

    -The Fourth Walsh

    “It’s all delivered with stunning, you-are-there particularity in Lou Contey’s enthralling adventure epic. Book your passage now.”

    -Larry Bommer, Stage and Cinema

    “An epic tale told with great physical & emotional force.”

    – tweeted by Hedy Weiss, Chicago Sun-Times

    “You’d be hard pressed to see a finer ensemble that this dedicated cast. This show is worth seeing.”

    -Tom Williams, Chicago Critic

    The Whaleship Essex, directed by Lou Contey, performed by the Shattered Globe ensemble is an artistic and literary delight, thrilling performances make every character someone you would like to know well as they play out an unforgettable story.”

    -Theaterworld

    “…some of the richest language happens to be the most technical—cooking blubber, nautical navigation and harpoon throwing all get borderline scientific, even romantic descriptions. Under Contey’s direction, none of it overshadows Ensemble-wide, it’s a thoughtful, often dashing real-life adventure that shines new light on the evermore famous the human drama at the center of it all, even in such a large cast.

    Ensemble-wide, it’s a thoughtful, often dashing real-life adventure that shines new light on the evermore famous fiction it inspires.”

    -Time Out Chicago

    “Riveting theater that tells a harrowing tale”

    -Jonathan Abarbanel, Windy City Times

  • First Two Productions of 2014-15 Season Announced

    First Two Productions of 2014-15 Season Announced

    The Midwest Premiere of THE WHALESHIP ESSEX By Ensemble Member Joe Forbrich, Directed by Lou Contey and Tennessee Williams’ THE ROSE TATTOO Directed by Greg Vinkler.

    Click here for more info.

  • Sarah Jo White

  • Our Country’s Good – Closed February 22nd

    Our Country’s Good – Closed February 22nd

    Thanks for joining SGT for OUR COUNTRY’S GOOD!

     

     

    Wertenbaker’s adaptation of The Playmaker, by Thomas Keneally, examines Australia’s first penal colony and the redemptive power of art. As the inmates rehearse for the upcoming production, light is shed on the class system of the colony, relationships between the incarcerated and the officers tasked with policing them, and the effect of art on a prison population. OUR COUNTRY’S GOOD premiered in 1988 at the Royal Court Theatre and later ran on Broadway, garnering many awards along the way. Nominee of six Tony Awards and winner of two Laurence Olivier Awards and a New York Drama Critic’s Circle Award, the play was remounted in London this year to mark the 25th anniversary of its debut.

    More info

  • Mill Fire – Closed June 7th

    Mill Fire – Closed June 7th

    Thank you to everyone who joined us!

    More info

    Time Out Chicago

    Chicago Theater Beat

    Chicago Tribune

    “The show as a whole is raw and searingly authentic…and yet the audience isn’t

    left with only the ever-lingering heartache and damage such loss creates. With the

    show’s powerful performances and production choices, we’re also presented with

    the shaky hope and strength that can eventually rise from the ashes.”

    Time Out Chicago

    “(Kate) LoConti, untamed and satisfyingly stubborn, sizzles and pops with

    conviction, from an explosive anger to a much deeper place of hurt, guilt and

    genuine sorrow.”

    Time Out Chicago

    “Sandy Shinner’s staging, a gem from Shattered Globe Theatre, could not achieve

    better casting or generate more sheer conviction per minute. ….Solidarity is

    almost too weak a word for Shinner’s nine dynamic performers. Using a kind of

    immersion therapy, they put us in their place. It’s theater at its most present and

    accounted for.”

    Stage and Cinema

    “Riveting….There’s a moment that took my breath away….honest, complicated

    performances that are observant and piquant and true.”

    Chicago Tribune

    “At the hurt heart of this slice of work are two women who lose their men in

    different and equally credible ways. Marlene ( a haunting Kate LoConti) has

    supposedly held up a settlement by refusing to take “blood money” from the mill

    owners for the loss of her young husband Champ (Drew Schad, present especially

    in his absence), horribly burned in the blaze. Marlene’s hard-drinking, badly bored

    sister-in-law, the ironically named Sunny (unforgettable Rebecca Jordan) wants to

    leave her uninspiring Bo (a solidly flawed Ken Bradley): Ironically, his surviving a

    fire that he might have contributed to through pain pills and inattentiveness has

    preserved a sick marriage or given them a second chance.”

    Stage and Cinema

    “Shattered Globe Theatre’s intimate production carefully charts Nemeth’s

    nonlinear narrative with the aid of Charlie Cooper’s inventive lighting and superb

    performances… the story of loss and healing is universal.”

    “HIGHLY RECOMMENDED” -Chicago READER

    “Shattered Globe Theatre, under the imaginative direction of Sandy Shinner,

    has mounted a haunting and deeply emotional story about the demise of a steel

    town…We care and empathize with the Widows….Ken Bradley, Rebecca Jordan,

    Drew Schad and especially Kate LoConti give yeoman performances as they each

    struggle with the mourning process. This show rivets our heartstrings.”

    Chicago Critic

    “Shattered Globe Theatre ignites the story with a vengeance matched only by an

    incendiary set of performances.”

    Chicago Theater Beat

    “Shattered Globe offers another truly visceral experience for its

    audiences…Unforgettable.”

    Chicago Theater Review